Phantasmagoria

g̮̗͈̺͚͎͍͐̋͒̔ͅe̴̱̯̞ͮ̔̾̓̀̋̿̃̋͠t̴̥̣͎̻̉̉̑̉͝t̡̧̩̰͓͖̼̓͛̆́i̴̤̜̫͓̥̗̰͓͔̇͂͑͗ͭ͢͞n͓̟̞̯̥̳͎͕̝ͨ͆ͩ̇̾́͡g̴̵̜̫͊͋ͫ̍̊͌̆͑͊ ͔̠̣̣̐̀̀͠ͅȟ̞͖̘̞̖͓ͬ͌̍̉̔ͫ̋ͅí̷̝̚ͅg̢̬̠͈̳ͦ͆̍͛͛́̈̚h̶̰̙͈ͩ͆̑͌̓ͪ͌̐ ̰͕̃ͧͤ̊͌͝ͅȍ̶͍͕͍̠̰̗̣̄̈͒n̶̢̘͖͉̼̣̔ͫ͊ͬ̇͗ͩ̃ ͓̰̌̒v̵̤̠̭̩̦̞̲͛̉͗ͩ͊̽ȋ̴͎͎͉̼̭̓̋̎ͤo̢̲̺̝̺̙̅̅̕͢ḽ̵̰͔̹͎̰͌̍̾̈́͡ē̮̗̩̂ͫ͐̀͛ͬ̍͡n̴̶̤͖͍̤͋̆ͦ̚͠c̥͎̦̫͈̮̫̓ͬ̀̃͑ͯ́e̫̦̬̩͓̭͇̐͗ͧ͋ ̵̯̦̲̟͙̰̖̒̔̒ͦͨ̊͘͠b̶̧̠̯͇̭͖͆ͯ́ȃͩ҉̷͈͓͉b̻̥̫̒ͣ͑̀ͅy̥̦̫̬͔̞̦̤̎́

NEVER SLEEP AGAIN
[Flash 9 is required to listen to audio.]
56 Plays
of Montreal
Spiteful Intervention

of montreal
spiteful intervention

paralytic stalks

lately all I can produce is psychotic vitriol
that really should fill me with guilt
but all I have is this manic energy

  • Arthur Jensen: You have meddled with the primal forces of nature, Mr. Beale, and I won't have it!! Is that clear?! You think you've merely stopped a business deal. That is not the case. The Arabs have taken billions of dollars out of this country, and now they must put it back! It is ebb and flow, tidal gravity! It is ecological balance! You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems, one vast and immane, interwoven, interacting, multivariate, multi-national dominion of dollars. Petro-dollars, electro-dollars, multi-dollars, Reichmarks, Yen, Rubles, Pounds, and Shekels. It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That is the atomic and subatomic and galactic structure of things today! And YOU have meddled with the primal forces of nature, and YOU WILL ATONE! Am I getting through to you, Mr. Beale? You get up on your little twenty-one inch screen and howl about America and democracy. There is no America. There is no democracy. There is only IBM and ITT and AT&T and DuPont, Dow, Union Carbide, and Exxon. Those are the nations of the world today. What do you think the Russians talk about in their councils of state — Karl Marx? They get out their linear programming charts, statistical decision theories, minimax solutions, and compute the price-cost probabilities of their transactions and investments, just like we do. We no longer live in a world of nations and ideologies, Mr. Beale. The world is a college of corporations, inexorably determined by the immutable bylaws of business. The world is a business, Mr. Beale; it has been since man crawled out of the slime. Our children will live, Mr. Beale, to see that perfect world in which there's no war or famine, oppression or brutality - one vast and ecumenical holding company, for whom all men will work to serve a common profit, in which all men will hold a share of stock - all necessities provided, all anxieties tranquilized, all boredom amused. And I have chosen you, Mr. Beale, to preach this evangel.
  • Howard Beale: Why me?
  • Arthur Jensen: Because you're on television, dummy. Sixty million people watch you every night of the week, Monday through Friday.
  • Howard Beale: I have seen the face of God.
  • Arthur Jensen: You just might be right, Mr. Beale.
thenoobyorker:

journalofajournalist:

…and The Onion for the win, forever. (via)

Oh my god.

thenoobyorker:

journalofajournalist:

…and The Onion for the win, forever. (via)

Oh my god.

I don’t have to tell you things are bad. Everybody knows things are bad. It’s a depression. Everybody’s out of work or scared of losing their job. The dollar buys a nickel’s worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there’s nobody anywhere who seems to know what to do, and there’s no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV’s while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that’s the way it’s supposed to be. We know things are bad - worse than bad. They’re crazy. It’s like everything everywhere is going crazy, so we don’t go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, ‘Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won’t say anything. Just leave us alone.’ Well, I’m not gonna leave you alone. I want you to get mad! I don’t want you to protest. I don’t want you to riot - I don’t want you to write to your congressman because I wouldn’t know what to tell you to write. I don’t know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you’ve got to get mad. You’ve got to say, ‘I’m a HUMAN BEING, God damn it! My life has VALUE!’ So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, ‘I’M AS MAD AS HELL, AND I’M NOT GOING TO TAKE THIS ANYMORE!’ I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - ‘I’m as mad as hell and I’m not going to take this anymore!’ Things have got to change. But first, you’ve gotta get mad!… You’ve got to say, ‘I’m as mad as hell, and I’m not going to take this anymore!’ Then we’ll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: “I’M AS MAD AS HELL, AND I’M NOT GOING TO TAKE THIS ANYMORE!”

—Howard Beale

mounts:

‘Quantum blink’ series by Isabel M. Martinez.
Martinez creates collages by capturing two instances in one image; she delicately slices photographs into strips, and assembles them alternatively as such.
According to Martinez, “I attempt to articulate something in between the freezing of time - that so often characterizes photography - and its relentless passing,’ says martinez. ‘I hint towards temporalities that are fluid, speculative, and somewhat loose. I am looking for the line that divides the finite (probability) from the infinite (possibility). it time is a succession of instants, I want to see what lies in between them. I am after the gaps between instant of consciousness.’” (Extracted from DesignBoom)
Check out more of her colages at http://www.immartinez.com/!
View high resolution

mounts:

‘Quantum blink’ series by Isabel M. Martinez.

Martinez creates collages by capturing two instances in one image; she delicately slices photographs into strips, and assembles them alternatively as such.

According to Martinez, “I attempt to articulate something in between the freezing of time - that so often characterizes photography - and its relentless passing,’ says martinez. ‘I hint towards temporalities that are fluid, speculative, and somewhat loose. I am looking for the line that divides the finite (probability) from the infinite (possibility).
it time is a succession of instants, I want to see what lies in between them. I am after the gaps between instant of consciousness.’” (Extracted from DesignBoom)

Check out more of her colages at http://www.immartinez.com/!

(via notmuchadoabouterick)

occupyallstreets:

More Afghan Civilians Died In 2011 Than NATO Troops In The Last Decade
Last year’s 3,021 civilian deaths marked the fifth straight year that the toll has risen, UN figures show, while 3,007 NATO soldiers have died since the 2001 US-led invasion, according to icasualties.org.
Meanwhile the number of internal refugees last year hit nearly half a million, the highest for about a decade, part of what Amnesty International has called “a largely hidden but horrific humanitarian and human rights crisis”.
And more than 30,000 Afghans sought asylum abroad last year — another 10-year high. Thousands of others make their way abroad illegally.
Read More
View high resolution

occupyallstreets:

More Afghan Civilians Died In 2011 Than NATO Troops In The Last Decade

Last year’s 3,021 civilian deaths marked the fifth straight year that the toll has risen, UN figures show, while 3,007 NATO soldiers have died since the 2001 US-led invasion, according to icasualties.org.

Meanwhile the number of internal refugees last year hit nearly half a million, the highest for about a decade, part of what Amnesty International has called “a largely hidden but horrific humanitarian and human rights crisis”.

And more than 30,000 Afghans sought asylum abroad last year — another 10-year high. Thousands of others make their way abroad illegally.

Read More

Personally, I’ve seen enough of people who die for an idea. I don’t believe in heroism; I know it’s easy and I’ve learned it can be murderous. What interests me is living and dying for what one loves.

Albert Camus, The Plague

What interests me is living and dying for what no one loves.

(Source: noeticallysexy, via pieceinthepuzzlehumanity)

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